Ingmar Bergman Double Feature! In CRIES AND WHISPERS, Liv Ullmann and Ingrid Thulin keep a death watch over spinster sister Harriet Andersson. SUMMER INTERLUDE unites Bergman’s love of theater and cinema, as ballet dancer Maj-Britt Nilsson is haunted by her tragic youthful affair with a shy, handsome student.
Presented in associations with the Swedish Film Institute and the Ingmar Bergman Foundation.
Tickets will be available in April.
CRIES AND WHISPERS
VISKNIGAR OCH ROP
1972, Janus Films, 106 min, Sweden, Dir: Ingmar Bergman
Amid the blood-red backgrounds of a turn-of-the-century mansion and the atmosphere of a dream, Liv Ullmann and Ingrid Thulin keep a death watch over spinster sister Harriet Andersson, while flashbacks depict the disappointed lives, meaningless marriages and sisterly conflicts, with a final moving image suggesting what has been lost. In Swedish with English subtitles.
1951, Janus Films, 96 min, Sweden, Dir: Ingmar Bergman
A film that the director considered a creative turning point, this reverie about life and death unites Bergman’s love of theater and cinema, and touches on many of the themes that would define the rest of his legendary career — isolation, performance and the inescapability of the past. In one of the director’s great early female roles, Maj-Britt Nilsson beguiles as an accomplished ballet dancer haunted by her tragic youthful affair with a shy, handsome student (Birger Malmsten). Her memories of the sunny, rocky shores of Stockholm’s outer archipelago mingle with scenes from her gloomy present, most of them set in the dark backstage environs of the theater where she works.
Both films in Swedish with English subtitles. | Screening formats: 35mm (CRIES AND WHISPERS), DCP (SUMMER INTERLUDE)
Aero Theatre • Thu, May 17, 2018 • 7:30pm Buy Tickets SHARE